Capos are a way to give your hand a little bit of a break. Instead of playing a ton of barre chords, you can use familiar shapes to play chords that we’d otherwise need barre chords for. How do we start thinking about using our capo so we can start p ...
So in this post I’ll be talking about talking about how to start anaylzing the song “Recorda-Me” as an example of how to think about soloing over the song. *This is built upon my previous posts: Part 1, Part 2, Part 3, Part 4 The song's chord pro ...
Here's a another example of playing songs within our CAGED chord shapes. Why? Just like my previous example, to get a better idea of where chord tones are, where arpeggios will lay on top, to see things in one position instead of sliding all ov ...
It’s the Pentatonic Scale. Yup. It’s just another way to play the pentatonic scale. But what’s so cool about it is the way it’s laid out and the way it sliiiiides to the other positions is so much more conducive to actual musical phrasing. A ...
Getting familiar with your fretboard is hard because the notes always feel so scattered. Luckily there are certain things that can help us. One way is using the dots, another way is using octave patterns. This is another cool way to start making sens ...
So we want to actually play along with a song in CAGED chord shapes. Why? To get a better idea of where chord tones are, where arpeggios will lay on top, to see things in one position instead of sliding all over the neck, to see how our chords ...
Jazz requires a bit of foresight before jumping into taking a solo. In my previous posts I talk about recognizing a Major ii-V-I (Part 1) and a Minor ii-V-i (Part 2) and this will start expanding these concepts into how to begin the process of soloin ...
Here's a another example of playing songs within our CAGED chord shapes. Why? Just like my previous example, to get a better idea of where chord tones are, where arpeggios will lay on top, to see things in one position instead of sliding all ov ...
With all the inversions, extended chords and key changes how can we begin to understand jazz? This is part 2 of a series in which I'm going to talk about how to spot keys and how to treat them in soloing and rhythm playing. The Minor ii-V-i The ...
Alright I'm just going to give you a practice schedule. You can alter this depending on where your at and where you want to work on. Essentially I'm going to give you 4 days worth of practice, giving you specific things to focus on each day: A = Chor ...
